Lizzie Francke are a senior Design and you can Innovation Executive within BFI ‘s the reason Film Funds. She is actually previously a reports Manufacturer on the British Film Council’s Invention Money in which she oversaw the first Feature plan and therefore nurtured particularly strengths as Clio Barnard, Morgan Matthews, James Graham, Deborah Hayward, Destiny Ekaragha and Bola Agbaje.
Programs you to she’s got exec lead if you’re she’s got already been during the the brand new BFI were, most recently, Joanna Hogg’s The brand new Souvenir, Aneil Karia’s Surge and you may Jerry Rothwell’s Why We Jump.
She become the girl career as the a film critic in early 1990’s causing the brand new Protector, This new Observer, Sight & Voice and you may Display screen Global as well as others. During this period she as well as lectured from inside the Film Degree during the Middlesex University and you can written Software Girls: A brief history of females Screenwriters within the Movie industry (1994, BFI Publishing). Ranging from 1997- 2001 she are Aesthetic Movie director of your Edinburgh Global Film Festival.
She was born in Trinidad, to an effective Trinidadian father and you will Italian language mommy, along with her addition to theatre is at neighborhood push-into the. In advance of signing up for the film Financing, Natascha worked at the Working Term Video clips, very first from the advancement institution, all over headings including Bridget Jones and you will Elizabeth in 1999 set upwards a decreased finances office to help with growing filmmakers.
Read More “Natascha Wharton, Senior Invention and Production Professional” »